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The Fake Monet

© 1991 Ginger Henry Geyer
glazed porcelain with gold
1 ½" x 8 ½" x 11"
Adaptation of Monet's The Seine at Lavacourt, 1880

     No, that wonderful big Monet in the Dallas Museum of Art collection is not a fake. This inexact copy is. Not that it would fool anybody--it's made of porcelain and underglaze chalk, with a built in frame. The edgy humor seen in the "labels" on the verso is due to many years of working in museum collection management. The gilded ornate frame, a Louis XV knock-off , is irregular, and its warpage calls attention to the function of frames: to protect the surface of the painting and to give a decorative boundary between it and the viewer. Frames define reality by distinguishing it from the illusionary. Fake or not, they call us to look within the edges.


The labels:

Use a mitred-end cross
stretcher with corner
keys to support the
canvas or it will
sag and the paint
layer may develop
a bad sort of cleavage.

Blessed are they
which detect
forgery, for they
shall seek the
truth.

always insist upon a
Proper Frame Installation
or the painting might
slip out and run away.
Who could blame it?